Various – Akasaka Soul Funk 1969-1977

Descripción

Various – Akasaka Soul Funk 1969-1977

Tracklist

A1. Mieko Hirota – Soul Lady
A2. Shinji Maki & Black Jack – Nabeyoko Soul
A3. Tan Tan – Happy Day
A4. Kenji Niinuma – Airenki
A5. Hatsumi Shibata – Furui Fuku Nanka

B1. Strawberry Jam – Arimasen
B2. Mieko Hirota – Anata Ga Inakute Mo
B3. Akira Yasuda & Beat Folk – Kaerōka Kaerōka (Single version)
B4. Miki Hirayama – Hatachi No Koi
B5. Masaaki Sakai – Baby, Yuki Wo Dashite

 

 

Various – Akasaka Soul Funk 1969-1977

● For all fans of the Wamono series!

● Rare and killer Japanese soul funk tunes selected by Ryosuke Endo and Ryohei Tanaka.

● 180g heavy vinyl pressing, reverse board jacket.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab.

● Fully licensed Nippon Columbia masters.

● Text and track-by-track liner notes by Kazunori Harada.

● Original artwork by Sally Kubota.

At the start of the 60s, a new wave of gospel-influenced jazz started to emerge, with hits such as Art Blakey & The Jazz Messengers’ «Moanin'» and Cannonball Adderley’s «Work Song» epitomizing this evolution in the genre. The terms «soul jazz» and «funky jazz» were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans.

In 1964, Ray Charles made his first visit to Japan. Then, in 1968, Martha & The Vandellas and Stevie Wonder set foot in the country, followed by Sam & Dave in 1969, Ike & Tina Turner in 1970, and B.B. King in 1971. The TV show «Soul Train» also began airing in Japan in the early 1970s. A watershed moment happened in 1973 when Sammy Davis Jr. was cast in a TV commercial for Suntory whisky — and the influence of the US Black entertainment world had really landed, with soul, jazz, and funk artists becoming household names.

Nippon Columbia played a pivotal role during this turning point. The company had contracts with Buddah Records and Blue Thumb Records, releasing notable works by artists such as Gladys Knight & The Pips, Curtis Mayfield, The Crusaders, and The Pointer Sisters. At the same time, the label was also releasing several Japanese soul, jazz, and funk projects under the lead of music director Jiro Inagaki. Inagaki, a saxophonist who began his professional career in the early 1950s, honed his skills at U.S. military camps, where he shared his love of music with the Black servicemen. In the 1960s, he played with drummer Hideo Shiraki’s band, which was widely considered to be Japan’s representative group of the funky jazz movement. Later, Inagaki went on to pursue more cutting-edge sounds with his Soul Media project, including being a pioneering figure in the «jazz rock» genre. By working closely with Inagaki and his various musical projects, Nippon Columbia really placed the company at the center of an exciting and important period in Japanese music.

In 1965, Nippon Columbia opened a recording studio in Tokyo’s Akasaka neighborhood. Akasaka was also home to the first ever discotheque in Japan, the legendary MUGEN, which ran from 1968 to 1987 and where many acts performed, including Con Funk Shun, the Bar-Kays, Ike & Tina Turner, B.B. King, Sam & Dave, Three Degrees, and Edwin Starr, as well as many local Japanese singers and musicians. This melting pot of creativity in the area led to the recording of many singles and albums by Japanese artists that were infused with the sounds of soul and funk. Most of these recordings were not available outside of Japan and remain rare and unknown musical gems. The selection you are holding in your hands is an explosive collection of 10 essential tracks released by the legendary Nippon Columbia label between 1969 and 1977, capturing the raw, unapparelled energy that was flowing through the air of the Akasaka streets at this electrifying time. Enjoy!